I’ve been debating where this blog posts belongs: Here on “Random Musings,” or over on the “ENDWORLD” site? It’s really a toss-up. I’m going to go with choice “A,” otherwise known as the site that I’ve neglected for almost a month. A month? Yep. For those of you that have been waiting patiently for me to take a little break from blogging congratulations: You got it. But now? Now, I’m back. Whether my being back is for the betterment of the blogosphere or not I do not know. I leave that for you, my faithful readers to decide. Whether I’ll be maintaining “Random Musings” more consistently moving forward is also a mystery. I’m knee-deep in CHILDREN OF ENDWORLD, right now. It’s occupying most of my creative mind, presently. At the same time, it is indirectly the reason why I am writing this. Hence my internal strife about where this blog entry belongs. Well sh*t, at least I figured that issue out.
I’d love to say that the going has been smooth, both with CHILDREN and outside of my burgeoning career as an author. But I can’t. The truth is? My life, AKA that thing that I do when I’m not posing as the Madchronicler or an author has been pretty crazy, lately. I’ve been dealing with and I’m still dealing with some serious sh*t. I’m not going to bog this post down with that info, however. Much of it has been resolved and that which hasn’t? Not to disappoint you guys, but it’s a bit too personal, even for “Random Musings.” Never fear, though: I may not be the living and breathing facsimile of a happy face that I normally am at the present time, but I’m not emo, either. I’m somewhere in between. If I were to describe my current state of mind as an emoticon, it would be a colon, followed by a dash, followed by a straight, up/down/north/south line. “Pensive frown” I’ll call it. Is that even a valid emoticon? I have no frackin’ idea. Let’s see.
Survey says? Well, it didn’t default to an actual emoticon like 🙂 does, but I believe that it properly conveys what I was going for if you look at it sideways. If you look at it upright, it looks like something one of my daughters typed in an attempt to acquire my computer.
Yes, I digress. Apologies. This blog entry isn’t directly about my personal life. It’s about my other life: The life of the writer/author/pseudo-insane, mad chronicler of his own, subjective universe. As a… whatever I just called myself, there are many things that I can overcome. Writer’s block? No problem. I just keep writing until I break through. A proverbial “dead end” in my story? No worries. “Click,” highlight and “Delete.” Start over. Rinse and repeat until it works. A power outage while I’m writing the closing paragraphs of my first novel? First, scream. Then? Scream some more. After a few moments, wait for the power to come back on and rewrite everything that I just lost. But there is one thing that I… one thing that many writers fear (I do not say “all” because I refuse to speak for everyone). That “thing?” A conflict with our muse or muses, i.e. that which inspires us to write.
It is no secret to anyone who has known me that in the past, my muse has been chaos. Bob Dylan once said that “chaos is a friend of mine.” That lyric reflected my life for the longest time. Someone once even called me “The Prophet of Anti-inspiration” (booyakasha, Marine. RESPECT). But over the last decade plus, that characterization has grown less and less significant. One of the reasons why it took me so long to rewrite ENDWORLD – A NOVEL and start rewriting her subsequent sequels is because the originals were birthed in chaos: A stage of my life which I have written about and talked about extensively off the record. For the record? I do not want to go back to that life. EVER. Let me make that abundantly clear. No more needs to be written, or spoken about it.
And I shouldn’t have to. The published version of ENDWORLD and the work in progress versions of CHILDREN and HEAVEN AND ENDWORLD come primarily from a different place. Different muses: Stability, happiness and security. All aspects of my life, now, that did not exist back when we all lived in “Oz” and thereafter, “State Pen” and no one, not even Marine lived anyplace else.
Therein lies the rub. Despite a few bumps in the proverbial road these last few weeks IRL, I’m still relatively happy. Compared to how I was back when chaos was a friend of mine I’m incredibly happy. But the portion of CHILDREN that I just started writing yesterday? It is dark. Very dark. It comes directly from that place that I used to exist in, 24/7, perhaps moreso than anything else I have ever written. And for the benefit of the story and the overarching plot-line, I cannot deviate from it. If anything, I need to go even deeper and darker now since The Endworld Series is a lot deeper and a whole heck of a lot darker than the original trilogy was. That may not be evident from what you read/are reading in Book One but trust me: By the time you get to where I am at, presently, any ideas that you had about “hope” despite William’s posturings to the contrary in ENDWORLD will be dead in the water. ‘Cause right now? 160+ pages into CHILDREN? There is none. There is only resignation to the inevitable. And that, unfortunately, is where I’m going to leave it, for now. “Spoilers,” as they say. Thank you once again, Doctor River Song.
So the question plaguing my always plagued mind, presently, is a simple one: How do I tap back into that mentality? How do I once again hold hands with chaos while maintaining the for-the-most-part happy medium that is my life, my muse and my inspiration, currently? There’s really not an easy answer to that question. When I write, my mind goes places. It becomes the story and the characters that I am writing. Not to the extent that I lose touch with reality, at least not anymore, but to a certain extent, I live through things with them. Their fates aren’t always predetermined, despite treatments and outlines. Look no further than the character in ENDWORLD–and if you read it/are reading it, you know the one I am talking about–that I had planned a future for. That future? It never happened. He/she suffered a much earlier demise than I had initially planned. What can I say? It wasn’t my fault. I don’t write my stories. They write themselves.
Really. No sh*t intended. How many of you just looked up from your computer, your tablet or your mobile device, rolled your eyes and said “yep. That confirms it. He”–meaning me–“is certifiably insane.”
If you think that I am, so be it. I am not going to tell you what to think of me. I’m a big fan of just being me and letting people decide whether they like me or not. In the interest of “just being me” I’m going to continue. If you’ve had enough? If you think I’m cuckoo? No worries. It’s been fun. You have my best wishes moving forward. Booyakasha. RESPECT.
But if you don’t, here’s s’more food for thought. I’ve always seen myself as a vessel: A conduit through which tales are told. I’m going to let you in on a little secret. IMO (and this is a BIG “in my opinion”), every story that ever existed or will exist actually existed pre-being written, somewhere in the proverbial ether of the imagination. It is the writer/author’s job to reach out to it. The story selects the writer/author, and not the other way around (so much for Free Will, huh?). Thereafter, one of two things happens. Either A.) Said story rejects the writer/author’s advances and waits for someone more attractive to some along (an eventuality that was quite common back in my own, personal dark ages), or B.) Said story accepts the author/writer’s invitation, invites he or she… invites you to sit down, and reveals itself to you. There’s really no language to what it reveals. At it’s core, a story is thought: Thoughts, jumbled and without order. Your job… my job as the lucky sonofab*tch that The Endworld Series picked is to take those ideas and give them order. Form. Henceforth, William MacNuff’s story.
There is a danger in this, though. I swear this is not a digression. This past weekend, I saw “Pacific Rim.” Great movie, BTW. I highly recommend it. One of the main concepts of “Pacific Rim” is the idea of “drifting”: Two minds, synchronized and working concordantly to achieve the same end. In the case of the movie, that end was the effective operation of a big, honkin’ robot called a Jaeger. That idea–drifting–holds true in many cases. Husbands and wives employ a form of drifting to manage their household effectively. Children? They employ a form of drifting to drive their parents and thereafter, their substitute teachers batty. And authors? They drift with their story. They become of one mind with it. And therein lies the danger when you get to the part or parts of the tale like the one that I have gotten to: The dark part or parts. In order to properly explicate the story you have been chosen to convey, you need to allow the darkness in. Even if it is completely contrary to who you are 24/7… even if it scoffs at the ideas of stability, happiness and security… even if chaos is your worst enemy, you NEED TO HOLD HANDS WITH IT FOR HOWEVER LONG IT TAKES TO FINISH. How do I tap back into the mentality of my early adulthood and remain a “pensive frown?” Simple: I let it in.
No lie: It is a scary prospect. It is not one that I relish. But there are scary prospects everywhere I turn these days. Just because this one seems so doesn’t mean that I can’t handle it. I believe that I can. I believe that I can go to that place that I need to go and stay firmly routed in my reality on this side of the proverbial wormhole of existence. Fifteen years ago? I would never have said that. But now? I am older. Stronger. Wiser. All the sh*t that has gone down IRL over the last few weeks? It’s helping. The chapter that I just wrote yesterday? Well, let’s just say that it pulsates with a range of emotions and leave it at that. Yet it is the tip of the proverbial iceberg. There is so much more to come and things just spiral deeper, and deeper into sh*t, sh*t and more sh*t. The good news? There’s a light at the end of the tunnel and I’m pretty ciked about writing THAT part. But first, I need to get there. And to get there, I need to invite my old friend chaos over for a spot of whiskey. Maybe a little “Highway 61 Revisited,” too. “Desolation Row” always has been my favorite Bob Dylan song. “They’re selling postcards of the hanging. They’re painting the passports brown. The beauty parlor is filled with sailors. The circus is in town.” But only after the girls have gone to sleep. Because despite my posturings to the contrary, they are not chaos. They are, and always will remain the proverbial light at the end of my life tunnel (as opposed to the above referenced story tunnel). And I love them for that.
Optimally, I’d love to take a couple of days off and just write it until it’s done. But that’s not feasible, despite the fact that my vacation time re-ups next Thursday (yay, August). The idea of just writing is not a feasible one, presently. It hasn’t been for a while. But hey: That’s the life I chose. It’s a challenge. And like every challenge I have ever been faced with, I will rise up and accept it. That’s what Frank Marsh, writer/author/pseudo-insane, mad chronicler of his own subjective reality does. Love me or hate me, hopefully you respect that. Respect me. Booyakasha, my friends.
You guessed it: RESPECT.