What Thanksgiving Means to Me by Way of Monty Python, Industrial Strength Aerosol Lubricant and CHILDREN OF ENDWORLD

Believe what you will, this blog post is NOT going to be all about the once-sequel to the novel I’ve been working on for the last six to seven months, CHILDREN OF ENDWORLD. I say “once-sequel” because as of the last… oh, few days, CHILDREN is no longer the sequel to the novel I’ve been diligently plugging away at since the end of April, 2011. It’s been subjugated to Book Three status. It will still be called CHILDREN but the NEW direct sequel to ENDWORLD is just that: A direct sequel, i.e. it takes place directly after ENDWORLD concludes and not three years later. Anyone familiar with the original trilogy that is disappointed with that eventuality I’m sorry, but in light of certain… developments it makes more sense to NOT break up the continuity of the story.

No, friends. My reason for bringing it up is this: There is a scene roughly 50% of the way through the original draft of CHILDREN in which Roland err… William MacNuff (sorry; old habits and all that) is reunited with his surviving companions from the first book in a location that I will NOT divulge here (it’s ‘kinda a surprise) on a cold and snowy morning (hint, HINT: Where might it be snowing in late November?) over coffee and a home-grown breakfast. That morning has always been and will remain Thanksgiving morning, and while I only briefly allude to it in the original draft of CHILDREN I intend to elaborate upon it in the re-write. As you may have figured out, I’ve done a great deal of elaborating on THE ENDWORLD CHRONICLE already, so much so that the title “chronicle” no longer is sufficient to the scope of what I am intending. It’s more of a cycle, actually. THE ENDWORLD CYCLE, perhaps? Or is that to Piers Morgan? No idea, yet. I haven’t even formulated a title for the new sequel though admittedly, I ‘kinda like RED-HEADED STEPCHILDREN OF ENDWORLD (thank you, @mattiasmaximus, AKA my buddy Matt, AKA Matt O’Brien in THE ENDWORLD… whatever).

But I digress. That scene has always held a special place in my heart, soul and mind because of something I wholeheartedly believe in. Something that is, for me, an underlying theme of this time of year. Not just Thanksgiving but the you-know-what season that follows it (sorry, but I’m predisposed to NOT mention that particular C-word until AFTER I’ve eaten until it hurts and watched football-related programming for 24 hours). So I’ll stick with Thanksgiving, which is all about family and friends. It’s about uniting as a unit/as one to celebrate all that you… that WE are thankful for. And I have A LOT to be thankful for this year, friends. I would list everything but to do so would be ‘kinda tedious (seems like I’m using “‘kinda” a lot in this post, doesn’t it?) and I don’t want to give away any… as Doctor River Song from “Doctor Who” would say, “spoilers” before I’m allowed to. But I would be remiss if I didn’t list a few things.

This Thanksgiving more than others I feel very, VERY blessed. I have a wonderful family and wonderful friends; I’m once again “pot committed” to something that I love doing: Writing; I have a steady job, something that many around the world and specifically here on, as William MacNuff would say, “The Continent” can not claim. I have a renewed sense of purpose, something that I’ve been sorely lacking for the last couple of years. And that? That is where I’ll leave it. ‘Cause really, this little blog post is NOT meant to be a generic, “What Thanksgiving Means To Me” elementary school-style essay. After all, the title of this little ditty is “What Thanksgiving Means To Me (by way of Monty Python, industrial strength aerosol lubricant and CHILDREN OF ENDWORLD).” So my approach is to look at Thanksgiving from a few… uncharacteristic viewpoints. So without further adieu…

In 1983, the almost (but not quite) defunct Monty Python’s Flying Circus (though I don’t think they called themselves that at that point) put out their last movie of original material. “The Meaning of Life” was JUST THAT: A series of sketches about the meaning of life. Everything from birth through death. While the overall movie itself was, for me, a bit LESS hysterical than the previous three (others may think differently), there were a few parts that had me in tears of hysteria. And I’m NOT referring to “Find The Fish” which was, to employ an Anglophile term, “bloody awful.” I’m specifically referring to the one minute long skit about suicidal leaves. Those of you reading this that HAVEN’T seen the movie or more specifically that scene please check out THIS LINK before reading any further. I promise you that you won’t be disappointed.

While suicide is never funny–and it isn’t, friends, I’ll be the first to say that–that skit has, for me, always signified something different. Every time I see it I think of the end of Fall/Thanksgiving time. While that may seem somewhat demented to some of you reading this consider it before calling me a twisted f*ck. View it again with that thought in mind. Then think of the scene today in and around the Philadelphia area: Gray, cloudy skies; a howling wind; and as my one co-worker observed without the benefit of ever having seen “The Meaning of Life,” the last of the season’s leaves plunging to their respective deaths from the trees lining Green Street in Royersford, PA. It works, doesn’t it? While some might consider gray skies and trees shedding the last of their patchwork, seasonal coats about the furthest thing from “warm and fuzzy” I don’t. Gray skies and barren trees make me think happy thoughts. Like snuggling beneath a comforter with my wife and my daughter watching “Caillou” and “Pajanimals.” Like snuggling under the same comforter and reading “Goldilicious” to my daughter a half a dozen times before she finally concedes that she’s exhausted and says, “read ‘Goldie’ upstairs, daddy” and I concede, “okay, sweetheart. Read ‘Goldie’ upstairs,” thereafter tucking her in with “Goldie,” her stuffed Cookie Monster, stuffed Kermit, stuffed Clifford and EVERY OTHER stuffed animal she keeps in her harem of a crib (you should see it: It’s a wonder she can even sleep in it it’s so full with her “babies”). Like retiring downstairs and snuggling with my wife beneath that same, gosh-darned comforter and watching a movie while the cold, north wind howls outside and time moves onward aimlessly, and without check throughout my… throughout OUR subjective universes. I am thankful for moments like these, friends. And that IS what Thanksgiving is all about, is it not?

Fast forward from 1983 to 2011. This afternoon whilst (whilst = better than ‘kinda… or worse?) I was at work trying to get caught up before my mini, four day vacation from the world of Hydraulic and Pneumatic Distribution I received a phone call from a customer who shall remain nameless for fear of a libel lawsuit. Said customer asked me if I could supply him with an aerosol can of industrial strength lubricant for delivery tomorrow morning. UPS RED, EARLY AM… on Thanksgiving. Admittedly, my FIRST instinct was to either laugh in his ear or ask him if he was intending on having intercourse with a turkey tomorrow morning but being that one of the things that I’m thankful for is my steady job, career suicide? Probably NOT the best idea. So I bit back my initially considered snarky retort and informed him that I did not have any of what he was looking for in-house (which I didn’t) and that the lone source that I had for said-lubricant had already left for the day (which they had). I even checked my inventory though I knew the answer to his question without doing so. The customer understood, thanked me for my time and wished me a Happy Thanksgiving. I wished him the same and we went our separate ways. But that phone call? Well, it ‘kinda got me to thinking. It got me to thinking about said customer’s situation and the fact that instead of being at home with his family tomorrow morning he will likely be holed up in some dusty, dreary, cold warehouse somewhere waiting for a courier to drop off an aerosol can of industrial strength lubricant, AKA WD-40 on steroids from a company in either Canada or Mexico. I feel for that man… I feel horrible for him. Sh*t, guys, I feel terrible for ANYONE that has to work tomorrow in ANY capacity. I mean, I did it for years. 13 to be exact: A decade plus of slaving away in first, lower and then upper Retail Management. It sucks. My own wife has to work until 2:00 tomorrow afternoon and I feel for her. But do you know what? I’m thankful… I’m DAMN thankful that while I am not always the biggest fan of my job, it provides me and HAS provided me with a luxury that–up until six years ago–I never enjoyed: Holidays. Not just Thanksgiving but ALL holidays. I get to spend them with my loved ones, now. As it should be. And while the younger version of myself enjoyed the OT and the free lunches that he got for working holidays, the OLDER version of my same-self? Well heck. Who needs a hoagie platter or a couple of extra bucks when I can spend Thanksgiving morning playing “Peoples” (Fisher Price Little People for those of you unfamiliar with the term) or “Babies” with my daughter while the 6ABC Thanksgiving Day Parade plays in the background. I can witness her “ooh” and “aah” and say things like “look, daddy! ‘Is Santa Claus!” when he arrives despite the fact that when Nicole and I take her to see him this weekend she will likely freak out (as most two and a half year olds do). I am thankful for moments like these–when I get to wonder at my daughter’s innocent fascination with concepts that have grown slightly jaded for me due to time and age, and a day later comfort her when she is scared of those SAME concepts. And that TOO is what Thanksgiving is all about, is it not?

Circle back around to how I began this blog post, AKA the idea that originally inspired it: The scene in CHILDREN OF ENDWORLD so near and always dear to my heart, mind and soul in which William MacNuff is reunited with the family (’cause that IS what they become over the course of the “chronicle,” “cycle” or WHATEVER I end up calling it) he left behind at the end of Book One. While coffee and a combination of rations and homegrown food-stuffs like potatoes, carrots and the like don’t exactly equal a Thanksgiving Day feast with turkey, stuffing, mashed and sweet potatoes, green bean casserole, pineapple bread, pumpkin bread, crescent rolls and various sundry pies and cakes, in a post-apocalyptic world run by a totalitarian “Administration” of machines in which most human beings are little more than mindless pawns in an ongoing chess game against… well, against the futuristic 1%–the few human beings that resist and fight the “Administration”–it’s about the best my hero and his “peoples” can ask for. And in that scene he–William–is thankful not only for the food and the company but for his life. I repeat: HIS LIFE. When I originally wrote that scene some 15 odd (and yes, they HAVE BEEN odd, friends) years ago I didn’t quite understand that. Admittedly I was pretty f*cking miserable. Those of you reading this who knew me back then know the gory details so I’m not going to go in to them here but the prospect of THIS life, i.e. the life I lead now was non-existent. Back then, I called myself a living, breathing facsimile of a smiley face. Now? The grin suffusing my face as I write these words is not a forced one, nor is it a facade that I am putting on for my wife, Nicole, who… having returned home from work… now sits across from me beneath a comforter watching “Mythbusters.” My thankfulness this year is not some BS excuse I came up with to convince my family at dinner tomorrow night that I’m happy. I AM happy, friends. I’m happy for my family and my friends. I’m happy for ENDWORLD, working title RED-HEADED STEPCHILDREN OF ENDWORLD and CHILDREN OF ENDWORLD, not to mention THE [overarching] ENDWORLD… whatever. I’m happy for Monty Python, even skits as “bloody awful” as “Find the Fish” and I’m happy for gray skies and barren trees. I’m happy for cuddling beneath a blanket with my loving wife and my wonderful daughter as the chill outside attempts and fails to impinge upon our happy home. I’m thankful for regular strength WD-40 (it keeps the hinges on the doors in my house from squeaking) and I’m thankful that I’ve never used the phrase “intercourse with a turkey” until today. I’m thankful for “Peoples” and “Babies” and parades and yes, I’m EVEN thankful for the you-know-what season that follows Thanksgiving. And GOD am I thankful for the privilege of seeing my semi-jaded subjective universe through the eyes of a child again.

But MOST importantly, friends? I’m thankful for my life. I repeat: MY life. And THAT is what Thanksgiving means to me. Happy Thanksgiving, everyone. Now stop reading this and go eat until it hurts/watch football related programming for the next 24 hours.

F.

Anniversaries, Ray Bans, Chronic Migraines, a Little ENDWORLD and the Awesomeness that is Spotify

Happy October 15th, everyone. Incidentally, October 15th just so happens to be my wedding anniversary so before I write anything, let me first take a moment to wish my words-can-not-describe wife Nicole a Happy 6th Anniversary. For some of you reading this that have been hitched longer than that six years might not seem like much of a milestone but for me it’s monumental. Pre-Nicole the longest relationship I’d ever been in was roughly seven months and most of my relationships averaged between one night (with the occasional breakfast thrown in for good measure) and four months. Amazingly enough, when you factor in the amount of time we’ve dated (or, if you’re more of a traditionalist, the amount of time we’ve “courted”) we’ve been together for 10 years this November 11th. Despite our proclivities towards a more casual, laid-back lifestyle now she still keeps things interesting on a daily basis. She’s about as good a mother as I’ve ever encountered and as phenomenal a spouse as I could ask for. Nicole, I know you’re reading this. I love you with all my heart and always will. OH! And thank you again for the Ray-Bans. I’m nervous as f*ck to wear them (I have a knack for breaking expensive things, sunglasses especially) but I’ve always wanted a pair. In the words of William (remember, friends: No longer Roland) MacNuff: “‘You ‘done good, kiddo.”

It’s been a rough couple of weeks for me. I’m not going to lie. One or two people inquired recently why, in mid-September, I seemingly paused… at least publicly… all activity related to the writing of ENDWORLD. Fact is I did. Reluctantly. I ‘kinda had to. Shortly after I returned from vacation I had an… an incident I guess you could call it. I was beset upon quite suddenly by something that I had suffered from as a child but had, at least to my knowledge, kicked in the subsequent years since: Chronic Migraines. I actually ended up in the hospital for a weekend because of them. While I was released that Sunday afternoon and allowed to return home the damn things didn’t stop. In fact, they became more consistent albeit not as severe as they had been that weekend. I was forced to give up caffeine because the doctors considered it to be the trigger. I was asked to limit any stressful activities (also, they determined, a trigger) temporarily until I could meet with a Neurologist and work up a treatment plan. I was told to start going to bed earlier which sadly meant the end of my late night writing sprints… at least for a time. I followed all of this advice to a tee because no one should have to live with what I had to live with that week or two after I returned from vacation and continued to deal with in the two weeks after I was discharged: Constant pain is not a welcome companion on mine or any one’s journey through their own, subjective universe and if you are reading this and suffering from something similar you have my sympathies. I… truly… feel your pain.

So I did as was requested of me. I finally got to see a Neurologist who helped get me back on my feet via meds and a few recommended lifestyle changes and here I am. I’ve been virtually caffeine-free since mid-September (I am allowed to drink the occasional soda now but energy drinks, sadly, are no longer permitted), have been sleeping better (no more middle-of-the-night migraines, thank God, Allah, Buddha, or whatever deity/deities you worship), and… now that I’m feeling more like a reasonable facsimile of myself again, I’ve decided over the last few days that I am long overdue to return to the one thing that I have been holding off on, i.e. finishing ENDWORLD. So finally–as those of you that follow me on Facebook, Twitter and Google+ are aware–I finished up my read and revise of Parts One and Two and started Part Three (appropriately subtitled “Deceived”) yesterday. And after a five page writing jog (definitely not a sprint) over the course of about six or seven hours yesterday, things appear to be moving along (albeit somewhat less-frantically than before; I guess that’s what a limited caffeine intake does to you). I’ve got my fingers crossed that I can finish this thing by the end of this year. While that’s a significantly longer time frame than I had originally anticipated (the end of August and the end of September have both come on gone as you are all well aware) I’ve come to understand something vital over the last few weeks’ experiences:

I’m not under any pressure to finish this by a set date. No publisher is hanging a deadline over my head and while I hate keeping my editor waiting (I’m sorry, Amy, but I promise: When I’m done it you’ll be the second too know (right after Nicole)) I hope she understands. As for those of you–my friends and my family–that have been waiting for something to “Beta Test” if everything goes the way I hope it will you should have something in your stocking by this Christmas. That’s my new goal. ‘Cause to be completely honest with you? I want to finish this. Why? Because I’ve got some really cool ideas for the re-write of the sequel that I can’t wait to put on paper and because I owe it to myself and to the people that have most supported me to make this happen. That’s pretty much all I’ve got right now on the ole’ book. Thanks for your continued encouragement and advice. Specifically, I’m looking at not only you, Nicole, but you, Matt, Tom, Steve, Pat, Kim, Amy, Renee, Emily… all my “peeps” that have given me feedback and if I neglected to mention your name I’m sorry. Booyakasha. Respect. 

All that said, an unrelated topic: Spotify. Who reading this uses it and who loves it as much as I do? I read about it in the tech mags a few months ago when it first rolled out to the us here in the states and I never thought much of it. After all, I’ve got a couple thousand songs on my four year old iPod Classic. Who needs streaming music for $10.00 a month? Let me tell you something, folks: I finally gave in and downloaded the free service this week with the 15 day trial of the Premium service (the one that you can get on your mobile as well as your PC, iPad, Tablet or whatever you’re using) and in all honesty? I had no idea what I was missing. Pandora? Slacker? Shazam? Move aside. I have no doubt that when my 15 day trial of the Premium service is up I’m subscribing to it. I’m writing this from work right now and before you detractors out there reading this question why I’m blogging when I’m supposed to be working understand that I was working all morning. Now that I’m caught up and have some time to kill I’m blowing time so THPT! (much love). I’ve only created three playlists so far and the one that I’m listening to right now–entitled “The State Pen Years”–is loaded with music from the artists I used to listen to while I was in college. 335 tracks so far ranging from old-school Soundgarden to The Prodigy. Throw in a little Primus, Marilyn Manson and a dash of The Mighty Mighty Bosstones for good measure (shout out, Billy D) and I’m in audio heaven. Half the stuff on this playlist is music I used to own on either tape or CD. If on tape said music was simply lost over the subsequent years since I left school and multiple moves, and if on CD said music was likely sold for beer money back when I was in college or stolen by one (or more) ex-girlfriends. But now? For a couple of bucks a month I have all those songs back in mu possession. Consider the last five songs I’ve listened to while I was writing:

5. Rob Zombie, “More Human Than Human.”
4. Soundgarden, “Face Pollution.”
3. Smashing Pumpkins, “X. Y. U.”
2. The Prodigy, “Smack My B*tch Up.” (I apologize to those of you with sensibilities. Please note: I don’t condone, it’s just a cool song)
1. Soundgarden, “Superunknown.”

Now playing: “Save Yourself” by Stabbing Westward. All in all a well-rounded collection of tunes whether they are your cup of tea or not. Is it wrong of me to presume that this and similar innovations (like the iCloud) are going to eventually kill iTunes and MP3s? Feel free to debate that question if you so desire to do so but as far as this music-lover is concerned? I’m all in on the awesomeness of Spotify. Well done, Sweden. This may be perhaps the best thing you’ve given the western world since the watch. Or perhaps the utility knife. Every so often you come up big. Booyakasha. Respect. 

And with that, I’m about done, everyone. My boss has finally given me the green light to go home for the day and I plan to. I have a sixth anniversary to celebrate, a daughter to play with, a book to write and a soda to drink (I’m due for one: Haven’t had one since Tuesday PM). So with one, final salud and just one more Booyakasha for good measure I’m going to slip on my brand new Ray-Bans and roll. Thank you all, again, for your continuing attention, advice, support and friendship. I thrive on it more than you can imagine. Peace.

11:30 AM; 10/15/11

 

My New Favorite DROID App and an ENDWORLD Update

Well this is quite a new experience albeit one that I’ve been looking forward to. Some time ago I downloaded the “Blogger” App for my then DROID phone. I have since upgraded to the DROID 3 (sexy phone, BTW. DROID and DROID 2 owners? If you have an upgrade available I HIGHLY recommend it) and am finally attempting to blog on my phone and upload it to “Random Musings.” We’ll see how it goes. Perhaps this will force me to take a more minimalist approach to writing not only “Endworld” but ALL worlds and ALL forms of writing. Not just novel writing but blog, poetry and short story writing as well. Not that “minimalist” is a prerequisite for being a writer (good, bad or somewhere in between) but it is good to occasionally focus on making a point quickly and not being too “wordy” or “talky.” I’ve been accused of the being the latter more times than I can count and RECENTLY no less (thanks, Em: I know it’s ‘kinda talky and I’m attempting to scale that back a bit). That said, enough “chit-chat (sarcasm FULLY intended). On to business.
 
First an “Endworld” update: I broke the 150 page mark the other night and the rewrite currently sits at 155+ pages. I started this process in late April, 2011 and I figure I’ll be roughly 65-70% home by the time I finish writing the next sequence (which is, incidentally, the Battle for Freeworld One). Those of you that read either Version 1.0 or Version 2.0 may be a little shocked at that statement. In V. 2.0 (’cause that’s the only one I have now. I’m not sure what happened to V. 1.0) Freeworld One happens at around page 90-95. And it’s not really a “battle.” Well I assure you that in V. 3.0 (hopefully the LAST version) it is poised to MOST CERTAINLY be a battle complete with an ample share of Michael Bay-esque explosions and carnage and… I hope… a few tears. 
 
That said, I had hoped to be done the initial draft of this rewrite by the end of August, 2011… specifically by 8/27/11 (the day I head down the shore for a week) but that, unfortunately, doesn’t look feasible. There is a possibility: I never know when a writing sprint is going to start but admittedly? I’ve got A LOT more on my plate now than I did 10, 15, or 20 years ago and other things DO have to take precedence from time to time (SEE: Wife, daughter, family, “Curb Your Enthusiasm” and the occasional movie on AMC. I’m looking at YOU “The Shawshank Redemption”). But 155+ pages in three months? That’s not half bad. It’s on par with my most prolific creative periods and I’m satisfied. But admittedly? The writing process is beginning to wear on me. For good reason: I haven’t written more than a few pages of ANYTHING in over a decade before this and I’m not exactly conditioned to novel writing anymore. You could argue I never was in the first place but that’s irrelevant. I’m rediscovering my stamina and if I finish this by the end of September, 2011 I’ll be happy. So stay tuned, friends. After FW1 and Halmier’s Pass (you’re on deck, Tim Redfield. Are you ready for your closeup?) = The home stretch. 
 
Other than that there really isn’t much more to say on the topic of “Endworld” save for this: I mentioned a few days ago in my collective, social networking reality (FB, Twitter, Google+) that I’d had “an intense moment of literary clarity.” Well, I DID friends. And it was big. I mean REAL big. I joked with a friend about it on Twitter (@Chelle_MNN who, incidentally, has her OWN blog if you’re interested in reading: http://petitechild.com. It’s quirky, entertaining and informative) and the “conversation” got a little heated (jokingly, of course) but in essence the upshot of said intense moment that I experienced is this: While I can’t reveal TOO much of what I’ve decided to try I CAN tell you that “Endworld” is no longer just the beginning of a trilogy of novels collectively called “The Endworld Chronicle.” It’s a starting point for something much more vast. An idea that I came up with a long, LONG time ago that has–in subsequent years–never left my mind. I always knew that the world of “Endworld” was potentially a part of that idea but I never considered it to be the STARTING point. In short, friends? My planned, little trilogy of post-apocalyptic romances is now just “The Miller’s Tale.” Before I tag and bag this blog entry and go price up a sensor or two I want to leave you with this. It’s part of a scene from Alex Parker’s/Roland MacNuff’s interaction in Freeworld One. Those of you that know me may recognize what is being referenced. Those that don’t? I have one word for you: EDONA. ‘Kind of rolls off the tongue, doesn’t it? 
 
“Alex smiled as he reached across with his left hand and pulled his right shirt sleeve up as high as he could. I could see the the top of his forearm clearly and it was bare. On the underside I could see… SOMETHING… though I could not positively identify what it was that I was seeing. That’s a tattoo, I thought. The black mark appeared to be designed of two circles atop each other, perhaps in a clean figure-eight or perhaps in an overlapping one (it was impossible to be sure) and it incorporated an arrow that seemed to be cross-cutting the figure-eight and was pointing toward the palm of his hand. I made a mental note to inquire about it further if given the opportunity…” 
 
F.
 

An ENDWORLD Update

Good morning, afternoon or evening friends (whenever you’re reading this). I hope all is well with you as it is with me. Life is good: Family, friends… all are wonderful. My little girl is about to turn two (where the hell did the time go?) and she’s showing all the tell-tale symptoms of a forthcoming bout with The Terrible Twos, a bout which I’m sure will take up more than its fair share of both mine and my wonderful wife Nicole’s time.

I haven’t posted anything on “Random Musings of a Pseudo-Madman” in quite some time. It’s not that my creative output has slowed. Quite the contrary: My ongoing rewrite of “Endworld: A Novel” is going incredibly well. 110+ pages in as of the writing of this blog post. The first 100 pages or so were forwarded to my editor this passed weekend and I’m looking forward to seeing how much my writing has improved (or not; I leave that for you to decide, Amy) in the decade since I last rewrote it. While the overall framework of the story is relatively unchanged–it has the same parallel story structure start to finish that it had when I completed the first draft sometime around my 21st year on this side of the proverbial wormhole of existence–it’s definitely… um… well, the best way I can describe it is fatter. ‘Kinda portly like me.

Consider: I’m about to write of Roland MacNuff and Maria Markinson’s first encounter with Alex Parker in Freeworld One. Those of you that read either the original manuscript or the rewrite I did back in 1998-1999 might remember that said event occurred around page 50. The fact that it’s happening on page 110 now means that I’ve added roughly 60 pages of exposition to the story arc. Trust me when I tell you that–at least in my opinion–said exposition was imperative to making “Endworld” more of a novel and less of a story (or a self-evaluation of my psychological state at the time: I leave that for you to decide). Fact: “Endworld” isn’t just a story. It never was. It’s a whole world that has existed in my brain for almost 20 years. I want to do that world justice this time; I want to tell not just Roland’s story but the story of the world he runs through in the beginning and… eventually… fights for in the end. Hopefully 60+ pages of exposition doesn’t impede the flow of the tale. That flow was one of the original novel’s seminal strengths per those that read it and it compensated for the overabundance of plot holes that my immature mind invariably created. How many times is he (Roland) going to get knocked out? Why the endless supply of cigarettes? Are the machines really THAT stupid?. Well, friends, I locked down the first two plot holes and explained the third. Hopefully when I do finish this and get a copy in to your hands you’ll agree but that day is still a little ways off.

Some have expressed interest in reading what I’ve written so far. One or two people have criticized my latest “Endworld Rewrite Project” as nothing more than a false promise to the people that have been hearing about my supposed trilogy of novels for almost 20 years. I assure you that this is not simply another empty promise from a guy who, for a time, was accused of making many. This is the real deal, guys. At the 100 page mark–when I unexpectedly killed off a main character from the original manuscript (as for who I killed offyou’ll have to wait and see) and introduced another that will, eventually, become my hero’s arch-nemesis–I realized that I was, in poker terms, “pot committed.” For better or for worse… good or bad, “Endworld: A Novel” is going the distance. And after that? “Children of Endworld” and “Heaven and Endworld” are going to get the same treatment. Maybe I’m delusional. Maybe “The Endworld Chronicle” doesn’t have the scrote to survive in a world of real literature and real authors and maybe it’ll never make it further than the posts on this blog/those of you reading this who desire a copy’s hands. But I’ve always believed that if done properly (and not overly reliant on “The Terminator” and “The Wonder Years”) it did. 110+ pages in and I’m still confidant in that assumption though I refuse to allow myself the latitude of losing my humility. Until I get a letter telling me that something that I’ve written is “published”–“Endworld” related or otherwise–I’m still just an everyday Joe Schmoe who works as an Office Manager/Inside Sales Rep for a hydraulic and pneumatic distribution and manufacturing company.

But I continue to dream forward. I always have and I always will. That said, I will be taking a self-imposed break from my latest “Endworld Rewrite Project” but not for long. I don’t anticipate it lasting more than a few days but I need to rest my brain for a bit lest what I’m writing starts to stagnate. I’ve realized in the subsequent years since I first wrote and completed “Endworld: A Novel” that one of, if not my greatest failing as a writer was not stopping when I started to wear down. Writing a novel isn’t an all-out sprint to the finish line. It’s a marathon, and completing a marathon successfully entails knowing when your body is beginning to wear down and conserving your energy for when you need to sprint. As it was then and as I envision it now, the last 30 or 40 pages of “Endworld: A Novel” is an all-out, balls-to-the-wall sprint for the finish line both for Roland and Maria and for the person tasked with telling their story. In the now twice revised story structure of the novel that sprint begins in about 80 or 90 pages. In the time between a lot has to happen. More so now despite the untimely departure of one of the main characters and the “introduction” of a new one that is crucial to the eventual outcome of the trilogy. I want to be fresh as I write it. Henceforth the “Summer Break” that I’m imposing upon myself. To be continued. 

That’s all I’ve got, folks! In closing, let me simply say this: Renewing many of the ideas and inspirations that originally… um… inspired “Endworld: A Novel” has been both a joy and a daunting task. But looking at it with a 35 (going on 36) year old’s perspective and not the perspective of a lovelorn 18 year old has been enlightening to say the least. At it’s core “Endworld” is a love story and a tribute to my friends and family. But beneath it all? It’s actually pretty dark. Is it believable Sci-Fi? I leave that for you to decide when it’s done. Enjoy!

F.

So I had this idea once…

…to write a trilogy of novels. No, that’s not exactly true. When I was 18, I had this idea to write a novel. I was working over the summer at the Reconstructionist Rabbinical College in Wyncote, PA. (also not entirely true; I worked there year round, but full time in the summer). I was typing up reference cards on an old Royal typewriter (this was 1993, folks; typewriters were still relevant) when suddenly and without warning this idea popped in to my mind.

I’d always been an avid reader… a huge fan of everyone from Stephen King to Shakespeare (I was still a few years away from my Miller/Kerouac/Ginsberg phase). My mother was and is fond of telling tales of me being a child/pulling all the books off of the family bookcase, laying them on the ground and pretending to read them one at a time. And writing, at the time, was less of a hobby and more of a hassle but I had realized sometime around my junior year in high school that I had a knack for it. Said knack was nothing that I openly acknowledged. I was too busy trying to be popular to start trying to write stories. But this idea… well, it had an unusual and unexpected degree of power. Immediately, I replaced the long, blue reference card that I had been typing with another empty one and I began typing what would become the final, unaccosted and unedited scene of the first novel I ever wrote, “Endworld.”

Some of you reading this may have read that scene and the 200 or so pages that proceeded it. Most of you probably haven’t. I’m not going to give you the same stock answer I’ve been giving for the last 18 years. I’ve called “Endworld” everything from “dystopic romance” to “a fictional autobiography.” Anyone who doesn’t know what “Endworld” is about and is interested in knowing please, drop me a line and let me know. I’ll provide you with the best summation of it that I can… I’ll even tell you what influenced me to write it. I might even send you a copy of the unaccosted and unedited final draft if you desire (it may hurt your head a bit but I’m happy to oblige). All that matters is what was born that hot, summer day in 1993 as I sat in the un-air conditioned RRC Library; the humming Royal typewriter with the long, blue reference card in it sitting before me.

A world was born, friends. A universe within my own subjective universe. My universe. “Endworld” was my Middle Earth. My Westeros. My Path of the Beam. It remains so, even to this day.

What ever happened to it? Again, many of you know the answer to that and those of you reading this that don’t? A brief synopsis: “Endworld” begot “Children of Endworld” which begot “Heaven and Endworld.” A trilogy of novels written between 1993 and 2000 that I thereafter called “The Endworld Chronicle” that told part of the story of my hero–Roland MacNuff–and his plight to escape the world that he inherited from his parents. A world run by machines. The Administration as I called them. It was my take on Artificial Intelligence and dystopia. One possible outcome were machines to ever (stealing a line from “The Terminator” here) become self-aware.

There were multiple problems with it. Plot holes galore. An inconsistent narrative and stilted dialogue. No one that read it–myself included–ever doubted the heart that went in to writing it. They simply doubted the skill. I guess I can’t blame them for that. After all, how many times can one man be knocked unconscious before he suffers permanent brain damage?

The books were a product of my upbringing. Heavily influenced by both cinema and television. More specifically, the aforementioned “Terminator” movies and “The Wonder Years.” Did I watch too much TV as a child? Yes. I admit it. And that overindulgence in the medium(s) carried over in to what, in essence, was a highly unoriginal piece of writing. Whatever happened to “The Endworld Chronicle?” The answer is simple: I tried to forget it ever existed. I focused on trying to write more complete, more original and more consistent stories. But I was rarely if ever successful. In the subsequent years since I finished writing the last paragraphs of “Heaven and Endworld” I’ve dabbled in everything from short story writing to poetry to essay writing to blogging. I’ve achieved moderate success in all formats (albeit with only a few casual readers) but nothing ever… for lack of a better term… “got me off” like writing “The Endworld Chronicle” did (Nicole, if you’re reading this, please don’t assume something dirty and sexual per what I just wrote; I swear that I never did anything deviant while writing them). That universe… my universe… has never left me.

If anything, it’s grown sharper in the subsequent years since I finished writing about it. Sometime around the halfway point of the second book (that’d be “Children” for those of you keeping track) I realized that there were aspects of the “really, really real world” that I wanted to interpret for the purposes of Roland’s story. There’s a scene about halfway through “Children” where Roland and his merry band of revolutionaries manage to restore power to an old, dusty computer that they find in a ski lodge in the Rocky Mountains. The damn thing still runs on a Windows platform (at the time it was WIN 95 but I changed it in a later re-write). Said references begin in earnest throughout the latter half of “Children” and carry over in to “Heaven.” By the time I was well in to the writing of “Heaven,” not only the personalities of my characters but the appearance of their world began to take shape. Thereafter, what had once been nothing more than a story became something greater. It became a vision of Roland’s machine-controlled world in all it’s dystopic glory. I finished “Heaven” strong and with the intention of revisiting the first two novels/injecting them with the same new found perspective that I injected in to the last 50% of the “Chronicle” that I’d written.

But my life changed. Drastically. I completed “Heaven” in the late summer of 2000 while living on the second floor of my friend Renee’s family home (incidentally, she’s probably reading this right now and ‘Nay? Thank you again for giving me a place to live for that summer). Less than a month later, I was living with a “friend” and her six month old son in an apartment in Morristown, PA.. Less than two months after that I was living on the floor of my friend Tom’s apartment in Feasterville, PA.. A month later? Northeast Philadelphia…

…And the rest is history for those of you reading this that know me. If you don’t and want to know, let me know and I’ll let you know (how many “knows” can I cram in to one sentence? Forgive me friends. It’s late and I have to be up at 5:30 AM tomorrow. I’m rushing to finish). Drastic is the understatement of the decade. I had little time to consider revisiting “The Endworld Chronicle.” I was too busy getting promoted to Store Manager at CVS/Pharmacy and meeting my soon-to-be wife Nicole/embarking on a life with her to even consider it. Why?

In short, “Endworld” may have begot “Children” and “Heaven” but there were other stimuli that begot “Endworld.” Said stimuli need not go mentioned in this blog entry as their is existence is irrelevant currently. Fact: “Endworld” was more than just my vision of the future; it was me fictionalizing my wants, my needs and my desires. I was driven by said things back then. I was obsessed with them. More specifically, I was obsessed with an ideal that only ever existed in my mind. I wasn’t just writing a story: I was writing my life as I wanted it to be. With someone as I wanted it to be. Anyone that’s ever done that knows how equal-parts intoxicating and self-destructive it can be. In theory? It’s something you have to experience to fully understand. In truth? I do not recommend it. Bad ju-ju, kids. Bad, bad ju-ju.

But now at 35 (sadly pushing 36) I find myself revisiting not the “Endworld” born of my completely misguided 20-something wants, needs and desires but the “Endworld” of my vision: The dystopic, Administration-run world that my hero, Roland MacNuff and his aforementioned merry band of revolutionaries desired to escape. The true “meat” of “The Endworld Chronicle.” I don’t think anyone who’s read the books or anyone who’s discussed them with me… shit, anyone who’s known me for some portion of the last 18 years denies that there is something special there (and if you don’t feel that way please feel free to tell me as I continue to thrive on constructive criticism). I can not deny that “Endworld” is something that defines me and may, long-term, define my life and the lives of my wife Nicole, my daughter Cara and our two furry children ‘Dorna and Roxy. Not to mention the people so lovingly depicted in it. My friends, many of whom (I hope) are reading this right now. This universe needs to be made right. It needs to be explicated properly. Without an overabundance of misguided emotion. “From within the Void,” Jackson. Yeah, Marine, if you’re reading this right now, that shout out was meant for you. Respect. I’m still pissed at you but hey, you’re on my mind so that’s a step in the right direction, aye?

And that’s all I know. I’m asking for insight here, guys. Anything you can offer me. “Endworld.” Is it worth revisiting? Is it what I feel in my heart, soul and mind that it is: The literary depiction of me? My opus? And if so, what recommendations would you make for making it work? I look forward to hearing from you soon. Thanks for reading through my latest Friday-night rambling. G’night.

F.